Sourdre est un r\u00e9cit po\u00e9tique qui explore la perte de l\u2019audition et la transformation d\u2019un corps. Entre travers\u00e9e intime et qu\u00eate de r\u00e9silience, il met en lumi\u00e8re l\u2019\u00e9mergence de nouvelles ressources et d\u2019un langage in\u00e9dit. Sa version sc\u00e9nique m\u00eale dimensions sonore, visuelle et sensorielle, offrant au public plusieurs niveaux de perception. \u00c0 la crois\u00e9e des genres, le spectacle revendique une d\u00e9marche inclusive, notamment par l\u2019usage cr\u00e9atif des surtitres, envisag\u00e9s comme un v\u00e9ritable outil artistique. L\u2019\u0153uvre donne \u00e0 voir un corps singulier, son handicap invisible, ses fragilit\u00e9s et ses forces, ainsi que sa m\u00e9tamorphose partag\u00e9e avec le public.<\/p>\n
\u00c9criture, conception adaptation et interpr\u00e9tation : Zo\u00e9 Besmond de Senneville – Assistanat mise en sc\u00e8ne et alli\u00e9e artistique : G\u00e9raldine Berger – Traduction-adaptation et interpr\u00e9tation LSF : Wafae Ababou – Musique et cr\u00e9ation sonore : Henry Grillot – Dramaturgie et adaptation : Sigrid Carr\u00e9 Lecoindre – Cr\u00e9ation lumi\u00e8re et vid\u00e9o, sc\u00e9nographie et num\u00e9rique : S\u00e9bastien Sidaner – Design sonore et r\u00e9gie son : Nicolas Pierre – Cr\u00e9ation costume : Suzanne Veiga Gomes, avec le partenariat de Helloworld – Directrice de production : V\u00e9ronique Felenbok – Charg\u00e9e de production : Lucile Lambert – Charg\u00e9e de diffusion : Chlo\u00e9 Cassaing – Attach\u00e9e de presse : Francesca Magni assist\u00e9e de Charlotte Soulignac – Avec : Zo\u00e9 Besmond de Senneville, Henry Grillot et Wafae Ababou<\/span><\/p>\n Avec le soutien d\u2019ARTCENA, de l\u2019Adami (dispositif Adami De\u0301clencheur), du Ministe\u0300re de la Culture – DRAC Ile de France, Acce\u0300s Culture, de l\u2019Agefiph, de la Sacem, du MNA Taylor, de la Fondation Jan Michalski, du fonds de dotation ABILITIS, de la Fondation Banque Populaire, de la Fondation Pour l\u2019Audition, du Fonds Frida, de \u00abLa cultureaveclacopieprive\u0301e\u00bb del\u2019associationBeaumarchaisSACD,duFondsdeprofessionnalisationdesartistes et techniciens du spectacle, du Budget Participatif Handicap de la Re\u0301gion IDF, de la Ville de Paris, et de Fabrice Gamberini, d\u2019Acce\u0300s Culture, de la Villette – Po\u0302le EAC, de la Maison de la Poe\u0301sie, du Festival Fragments, re\u0301seau Actes If, Festival Imago et Festival Mythos, des accueils en re\u0301sidence de La Pop-incubateur artistique et citoyen, Anis Gras-Le lieu de l\u2019autre, la Libre Usine (Nantes), le Centre National de la Cre\u0301ation Adapte\u0301e (Morlaix) et du Collectif des Possibles, et le soutien et l\u2019accompagnement technique des Plateaux Sauvages. Pr\u00e9sentation Sourdre est un r\u00e9cit po\u00e9tique qui explore la perte de l\u2019audition et la transformation d\u2019un corps. Entre travers\u00e9e intime et qu\u00eate de r\u00e9silience, il met en lumi\u00e8re l\u2019\u00e9mergence de 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obligatoires<\/h2>\n
\nLe projet a e\u0301te\u0301 marraine\u0301 par Lae\u0308titia Gue\u0301don des Plateaux Sauvages au Festival Fragments 2025.
\nLe texte est laure\u0301at de l\u2019Aide nationale a\u0300 la cre\u0301ation de textes dramatiques – ARTCENA.<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"